The Repairs
The man with aquamarine eyes
and a slim suit who’s left
at the train station halfway
through the book to the surprise
of everyone, looks up in confusion
at pigeons flitting amongst
the spindled trusses because
what else is one to do
and you wonder if the writer
had made a false start
he continued to believe in or
if he thought everything
must be ridden to its end
as a matter of principle
until the principle collapses
upon itself under the energy
of all that built-up want.
She does not love you anymore
yet she is the reason you are here.
Once her requited love
no longer required you
it was time to quit, but you
bought roses anyway. Twice.
If you wait a few moments,
the platform will fill with families,
men and women in hats
returning from work, tourists, a girl
walking a poodle, all swirling
about you toward the exit
where their excitement pulls
your thoughts out into the city
and far beyond.
On your own you arrived, somehow, here,
on the edge of the smaller ocean
with a suitcase in hand, standing
in the water with your good shoes on,
an umbrella tumbling down
the beach making the whole scene
that much sadder than it needs to be,
pathetic, truly silly. Was it a song
about love or the need for
an atmosphere swept calm
of voices but your own
and the melancholy of men
in white pants crossing the long
empty spaces of golf courses
at dusk talking to themselves, mostly?
All the failures calendared in advance
in books that look official.
How the future grows younger,
until one day it won’t even dawn
on you. And you’ll wake just to lie
down again, to get a little more comfortable,
suddenly finding pleasure
in the shape of a key or
in a pyramid of sugar cubes.
This would be a good year to garden,
some perennials, maybe spotted flowers.
This would be a good day
to see if you still float. The light
is good, the wind has died down.
A circle of boys tossing
a yellow beachball on a roof,
and for a second you’re
on the Italian seashore
wearing shorts in 1970-something,
but who are these adults around you.
A lost life? In the buildings
behind you, surely couples
are making dinner and couples
are having sex on tatami mats
in rooms with rice-paper walls
where everyone is silhouetted,
a little closer to death.
A hand slips out to snip basil
in the window-box, but the face
is unseen. Perhaps the present
wasn’t supposed to last forever,
that had not been factored in,
and now what, relax
before the spectacle of the day?
A cat stranded on the motel’s
fire escape sounds an alarm.
It’s so late, it’s early
morning. The shuffleboard
courts are full. The year has passed
its date of ripeness. Soon it will
come around again.